"The notion of "landscape" (not exclusive, but central to architecture) addressed exhaustively by Coimbra’s work, is perhaps the most obvious occurrence in the scope of a practice that often operates on the threshold between architecture and all that which, either by custom or precaution, architectural discourse refrains from incorporating."(Otavio Leonidio - 2015)

"A certain scientism overhangs the exhibit (Museum:observatory), but in an astonishing way: creating a scientific language that can be freely and directly accessed, rather than a dialect that is merely accessible, allowing an immediate experience of fascination and adherence." (Renata Marquez - 2011)

"… Coimbra’s work takes part in a genealogy of experiences that, from reflexive strategies, dedicate less to create artworks destined to be the object of enjoyment in the museums (or other spaces designed to art) than to problematize the ways this enjoyment is organized, mobilized by institutions." (André Brasil - 2011)

"Images of clouds function as a structural element in the works of Edu Coimbra – neither residue nor documentation." (Glória Ferreira - 2004)

"Edu Coimbra’s art is pervaded by the idea that when we superimpose language on the world, this ends up causing an inevitable confusion between the two terms." (Agnaldo Farias - 2000)

"It is by associating chains of images and objects that Eduardo Coimbra points to the importance of what constitutes an installation’s ‘circulation of energy’, clarifying the flux aspect which brings together matter, life and thought." (Ricardo Basbaum 1998)

"Eduardo Coimbra’s world is a ‘dream engineering’ of sorts." (Ligia Canongia - 1997)